Dimensions: 7 15/16” X 7 15/16” Folded dimensions: 4 7/8” X 4 7/8” The idea for these folding poems originally appeared
to me in a dream. I visualized poetry and painting in a template that would be foldable
in multiple directions, allowing the reader to rearrange the words and images in
acrobatic combinations. The language becomes more abstract as the poems are
folded and new meanings emerge from the unintentional synchronicities of different
word configurations.
The writing itself was channeled through a trance
state, a practice I started in the 1980s. The words are hand-lettered and
juxtaposed with abstract patterns painted in gouache on paper.
Toni Simon’s Earth
After Earth, like classic apocalyptic writing, not only offers oblique
prophecies of what’s to come, but captures the present, through the perspective
of its alchemical, twilight language and dreamlike art. This verbal/visual text portrays a midnight
world full of psychic threat yet how beautiful its demons and angels, its
“forest people”, “clairvoyant asteroids” and other denizens appear as they glow
fiercely within its Dantesque, black lit landscapes. The end may be nigh, but it’s sublime
--Jerome Sala
In her little book Earth After Earth Toni Simon has created
a universe that quietly reveals itself, as when in the solitude of dreaming we
fracture emotions into condensed images and wake to interpret them, only to
find that they've already changed shape. Each sentence is a revelation, as when
in the mind of reading we imagine sentences forming that take us to another
place. When mind, time, and eyes converge at a point of knowing then you can be
sure that "even in the dark we know ourselves to be inhabited."
--Kristin Prevallet
Earth After Earth
is an enigmatic prose poetry text which resonates with classic sci-fi futurism
and oddness, yet when attended to closely, provokes and informs us by imagining
the alternative realities of an altered present. Earth After Earth proposes that the other place and time is poetry--explored to the imaginal limits. Earth
After Earth is illustrated with Toni Simon’s quixotic black and white
drawings which figure as portholes to a dream.
In our mixed-media literary project Dear Air, Egyptian gods, stripped of
their context and role, wander various New York City neighborhoods trying to
figure out where they belong, how to make sense of what they have lost, and how
to get along with one another.
In the first step of our project, I construct three-dimensional, small-scale figurines out of paper,
modeled on Egyptian gods. I then paint them with abstract, graphic details. We
then take the little gods out into different neighborhoods and take hundreds of
photographs of them. We select eight to ten images, which become the basis for
a series of poems written by Joanna
Fuhrman.
We have created picture/poem serial combinations in Lower Manhattan, Park
Slope, Windsor Terrace, Chinatown, the Reversible Destiny Studio, Red Hook and
Gowanus.